Tuesday, January 10, 2012

Jane Austen Made Me Do It: "Heard of You" by Margaret C. Sullivan, "The Ghostwriter" by Elizabeth Aston, and "Mr. Bennet Meets His Match" by Amanda Grange

Today my daughter started preschool. Though I am feeling immense separation anxiety, the couple of days a week she will be so occupied gives me much needed time to catch up on my life, including pursuit of my Austen related interests. Therefore, I suddenly have the time to review more than one story from Jane Austen Made Me Do It at a time, and as I just completed three delightful stories in a row, all by writers I have long admired, I will address all three here. The first, "Heard of You" by Margaret C. Sullivan, whose book There Must be Murder (read my review here) is by far the best piece of Northanger Abbey Austenesque I have yet encountered, is a prequel to Persuasion, focused on how Admiral and Mrs. Croft met and fell in love. This was such a great notion for a story - recounting how one of the happiest married couples in Austen came together - while portraying Wentworth in his early days as a midshipman. I particularly appreciated how Ms. Sullivan captured Admiral Croft's (a mere Commander in our story) unique voice: "A fine day for sailing, is not it? And if we are lucky, the French wil stop skulking about and come out boldly to meet us, and then we shall have a fine battle." His joviality and enthusiasm for his profession are beautifully rendered. It is an endearing story which I highly recommend.

The next story is "The Ghostwriter" by Elizabeth Aston, author of the Mr. Darcy's Daughters series of books (excellent fun!), a tale which brings long deceased writers into the present to haunt failing writers and inspire them to greatness. In this case, one Miss Jane Austen appears before rabid Janeite Sara, whose obsession has destroyed her relationship. Miss Austen not only provides a much needed swift kick in the you know what, but also a heavy dose of reality. This is what she has to say on the subject of Mr. Darcy as an idealized man:
"I myself am Mr. Darcy. Had I been born male instead of female, and in affluent circumstances, I would have been just such a man: reserved, proud, and clever. And no doubt have made some women's life a misery. Put him out of your head, or at least leave him on the page where he belongs and, as you say today, get a life."
I love that! This story is very cute, and I adore the representation of Austen, but I do have two bones to pick with Ms. Aston. The first regards Sara, who perhaps did need to learn not to compare real men with Mr. Darcy, but she certainly did not need to settle for Charles, the so-called hero of our little tale. He is, quite frankly, an ass. I would also like to mention that if there was a locket floating around containing a lock of Jane Austen's hair, a pivotal item in this story, it would be worth far more than 5,000 pounds.

Finally I come to "Mr. Bennet Meets His Match" by Amanda Grange, the author of so many diaries by Austen heroes and, more recently, Mr. Wickham (in my TBR list). So often we dwell on the problems with the marriage between Mr. and Mrs. Bennet, while this story refreshingly considers the benefits of the match. Also a prequel, the tale reflects back on the pressures Mr. Bennet labored under when looking for a wife, creating a reasonable scenario for why he made the choice he did. The story echoes many of the episodes from Pride and Prejudice, particularly those enacted between Mrs. Bennet and her daughters and Mr. Collins unwelcome visit to Longbourn. I thought this series of musings from a Miss Jane Gardiner particularly poignant in the development of her latter character:
A large estate or a red coat? Happy were Jane's deliberations as the carriage took her home. Should she marry Captain Quentin or should she marry Mr. Bennet? In her mind's eye she saw both men proposing, and pictured herself, first as the wife of an officer, established in neat lodgings, and then as the wife of a landowner, established in Longbourn, the finest house in the neighborhood.


At that, the image began to fade. Much as he liked her - and she had not been mistaken, she was sure he did like her - and much as she liked him, he would never marry her. What, Jane Gardiner, daughter of a country attorney, to be the mistress of Longbourn? Such things only happened in fairy tales.
This story is definitely one of my favorites in the collection so far. It not only humanizes the Bennets, it also dwells on the very real difficulties an entail posed for a family. And as the entire thing is told in a tone worthy of Austen, I can say little more than an ardent "Brava" to Ms. Grange. It is my favorite thing I have ever read by her. 

Stay tuned for more reviews as I slowly make my way through this fabulous book, definitely the best collection of Austen inspired short stories I have come across. A hearty congratulations to Laurel Ann Nattress of Austenprose for compiling this treasure.

Friday, January 6, 2012

Sense and Sensibility Janeicillin: Part One

Back in July I wrote the first part of Mansfield Park Janeicillin, but then the realities of new motherhood took over, and I never continued it. I have every intention of doing so, but at the moment, having just finished rereading Sense and Sensibility, my mind is elsewhere. I never know quite where Janeicillin will take me when I commence it, and S & S poses the problem of spanning a much greater stretch of time (that between Eleanor and Marianne's marriages) than any of Austen's other novels.  I cannot promise that the lead up to the marriage between Marianne and Colonel Brandon will be attempted in this piece. Perhaps it will only be prepared. As for now, my focus is entirely on the highly dysfunctional Ferrars family. This is where our story begins.

As he knocked on the door to his mother's house, Edward Ferrars sorely wished himself back at Delaford, or, even better, at Barton.

It had always been his policy in life to try and do what was right and honorable, as far as he was able, and this was not the first time when the disagreeably of that course challenged his willingness to proceed upon it. Sometimes his will had abandoned him, as when he embarked on a secret engagement, and when he remained at Norland with the Dashwoods after falling in love with Elinor. She had charged him with failure upon this account, and though he readily repeated the rationalizations with which he accounted for this lapse in integrity, his assertion that he believed any harm done was only to himself sounded just as weak to his ears as it had undoubtedly to Elinor's. When he had upheld his engagement to Lucy Steele, despite stringent parental disapproval, it might seem to others that he had so adhered to the honorable path as to fall into folly, but to himself he could admit that it was only his belief that lack of fortune would surely lead to Lucy's breaking of the engagement that gave him the strength to hold his ground. The misery that he suffered when things did not transpire as he had hoped was surely deserved. Indeed, it was his belief in the justice of his fate that had allowed him to bear it with anything like equanimity. The role of the martyr had a great deal of appeal to Edward, and it was this crutch that he leaned upon as he entered his mother's vestibule and awaited her reception.

"For Elinor I would bear anything," he told himself, trying not to fidget in his uneasiness. It was with great bravado that he had asserted his intentions to confront his mother in person, rather than choosing the far easier method of communication by letter. In the throes of his successful suit, he would not admit to Elinor for all the world his weakness upon this point, but now, as the dreaded confrontation became imminent, he regretted his hasty pronouncements on the subject of submission. Yet even in his unease, he could smile at the realization of how much closer his betrothed had already brought him to being the kind of man he had always aspired to be, rather than the man nature had made him.   

His mother met him in her salon where she sat in state, ensconced in her grandest, high-backed arm chair, the closest approximation to a throne that the house contained. It was not Mrs. Ferrars custom to be accommodating, and the scowl with which she greeted her disinherited son betokened the difficulty of the task in front of him. A man unfamiliar with this formidable lady's behavior might give up his cause as lost immediately upon beholding her daunting countenance, but Edward, gifted with the familiarity of kinship, knew that his very admission was already a victory. Certainly his mother would now make him pay for her forgiveness by demanding a display of proper humility, but the end result was already ordained. He was once again her acknowledged son.

"Mother, how do you do."

"I am in excellent health, though my children seem bent upon destroying it."

"I am pleased to know you are well," he replied, ignoring her jab.

"You have heard of your brother's abominable behavior. That is what brings you hear, no doubt." 

"As his action had rather a profound effect upon myself, I could not long have remained in ignorance."

"He has preserved you from a most disastrous union. That much can be said for him."

"Yes. I believe we can agree on that point. Robert might indeed be called my savior."

"I see you have come to regard the matter as you ought to have all along. That horrid girl, whose name I cannot bear to pronounce, has caused an unimaginable degree of havoc upon our family. You, at least, are well rid of her."

"Indeed, I cannot say I mourn her loss."

"Very well. I suppose it behooves me to once again call you my son, though after such a display of ingratitude and disobedience as you recently indulged, I might be thought inordinately lenient to do so."

Edward bit his tongue rather than respond.

"Well, Edward? Have you nothing to say for yourself?"

"Only that to cause you pain is one of the great regrets of my life."

"As it should be. That being said, other than the loss of your brother to that conniving hussy, no great harm has been wrought. Miss Morton is still available and will surely be inclined to accept you offer, after you exert some effort to endear her to you. A few weeks of earnest courtship should suffice."

"I am afraid, Madame, that I cannot proceed as you would wish. It pains me to go against your wishes, but my hand is already the property of another."

"Surely you do not morn the loss of that woman, she who has made a fool of all the men in this family? Why, you just as much as told me so yourself!"

"It is not my brother's wife to which I refer, but to another lady of infinitely greater worth, for love of whom my engagement with the former Miss Steele had become a source of regret long before it was the cause of my estrangement from you, my dear Mother."

Mrs. Ferrars rose to her feet in rancor. "And of whom do you speak?"

"Miss Elinor Dashwood, Ma'am."

"Miss Dashwood, indeed! I guessed as much! A lady of little fortune and no prospects! At least she is of respectable family, unlike your last infatuation, but any connection with the Dashwoods is rendered redundant through Fanny's marriage. She offers nothing of merit to our family. It is a nonsensical attachment."

"Pardon me, Ma'am, if I disagree so soon upon our reconciliation, but Miss Dashwood is a lady of education and grace. She offers not only perfect gentility to our union, but also the promise of great happiness to myself."

"That is not why people marry."

"It is why I wish to marry."

"And if I forbid you to ask for her hand?"

"I am sorry to inform you, Ma'am, but her hand I have already secured. I ask only for your blessing."

"What can you mean by this, Edward? Do you come to my house, seeking forgiveness for one clandestine engagement, only to thrust yet another in my face?"

With the knowledge of Elinor's love bolstering his courage, Edward declared, "Again I beg your pardon, Mother, but your facts are not quite correct. I have not asked your forgiveness. I should not have contracted an engagement in secret, this I own, but to have broken my promise to Lucy would have made me a scoundrel, and not even for the lady I love most in this world was I willing to proceed thusly. Furthermore, there was nothing clandestine in my betrothal to Elinor Dashwood. I have her mother's permission, and at the time of my action, no acknowledged parent of my own to consult."

Mrs. Ferrars seethed. "You would reject Miss Morton, in possession of  30,000 pounds, daughter of Lord Morton, for the daughter of a country gentleman of little connection and a mere 3?"

"Without hesitation."

"Do not think I will supplement your income should you proceed with such foolishness. You will have this living you have somehow secured - yes, I do know that much of your recent actions - and the funds due to you upon your marriage, but no more than what Fanny received shall you enjoy!"

"You will give me 10,000 pounds upon my marriage?" Edward asked in disbelief.

"Yes, and how you will survive upon a daughter's share will be entirely your own concern. I wash my hands of the matter."

"But I have your blessing?"

"Certainly not! How you can contemplate such a union when Miss Morton is available and agreeable is unfathomable! Consider your position carefully, young man, and you will surely come to realize the folly of continuing your engagement. Come see me in two days, and we will see how that matter stands."

To her great astonishment, Edward stepped forward with a joyful expression and grasped her hand warmly. "Thank you, Mother. I will see you in two days time." And with a rather ecstatic adieu Edward took himself off to his lodgings, there to write to Elinor and share his thoughts on the unexpected generosity his mother had unwittingly betrayed, leaving behind him an utterly befuddled Mrs. Ferrars, who would spend the rest of the day attempting to fathom how her own son could be such an entirely incomprehensible creature.

The next day found John Dashwood at his brother's door, sent to both acknowledged the restored relations between Edward and his family, and to put forth those arguments, so unimpeachable in the minds of himself, his wife, and her mother, that were to persuade the younger gentleman of the error of his ways. In Mr. Dashwood's defense, so rarely taken up, the task before him required an enormous amount of verbal dexterity, as he could not be reasonably be expected to deprecate his own sister on behalf of Miss Morton. It was, therefore, his lot to praise the latter lady without sacrificing the virtues of the former, a task that would have been easier had Miss Morton anything but name and fortune of which to boast. Sill Mr. Dashwood entered upon his mission quite convinced of his eventual success. What man, after all, would behave in a manner so detrimental to his own interest? This confidence, however, failed to account for his brother's previously incomprehensible behavior, and was, of course, misplaced. All his best efforts to elevate Miss Morton in Edward's esteem failed, and he returned home to share his befuddlement with those that could best understand it. Neither Fanny nor her mother could comprehend Edward's insistence on a less advantageous marriage any more than he.

Nevertheless, when Edward reappeared upon his mother's doorstep, he was greeted once again as her son, however cold her motherly embrace might be. For after enduring such uncommon fluctuations in the state of her family, having for many years been in possession of two sons, then robbed of first one, and then both, she felt that the retention of at least the elder was an asset which she could not, in good conscience, deny herself.

So it was that Edward was able to write of his triumph to both Eleanor and Colonel Brandon, whom he charged with moving ahead on the discussed improvements to the parsonage at Delaford with all speed. Be assured that the recipients of his correspondence were just as inclined to exalt in the glory of reluctant blessings and a grudging 10,000 pounds as the giver was baffled by them. 

Wednesday, January 4, 2012

Jane Austen Made Me Do It: "Jane Austen and the Mistletoe Kiss" by Jo Beverley

Maybe it was the seasonal theme of this story that made it resonate so, but I really enjoyed "Jane Austen and the Mistletoe Kiss", Jo Beverely's contribution to Jane Austen Made Me Do It. The story is set in the neighborhood of Chawton, where Elinor Carsholt and her three daughters have settled following her husband's death. The story is not only sweet and endearing, it is also thematically in line with the notions Austen explored in her novels, while simultaneously questioning (and reaffirming) the realism of her happy endings, making it a fitting tribute to her greatness.

The Carsholt's are in reduced circumstances due to their deceased father and husband's lack of prudence: a familiar story. Elinor (aptly named) strives to provide them with a proper Christmas though her spirits are low and the future seems bleak. The family not only resides in the vicinity of the Austen ladies, they are also readers of Miss Jane's novels, whose identity is a poorly kept secret. Elinor laments the effect Pride and Prejudice may have had on her daughters' notions of what is attainable and realistic, as in this scene in which she admonishes her eldest for wanting to walk alone:
"It simply wouldn't be proper, Amy. You're a young lady now and must consider such things."


To Elinor's surprise, Amy nodded. "You mean some men might have wicked intentions."


"Yes."


"Like Wickham in Pride and Prejudice."


"Yes," said Elinor, wishing she'd not allowed Amy to read that book.


Sir Nicholas had brought it to Ivy Cottage as a gift. It was an amusing representation of family life, but Elinor considered the heroine pert and one of her sisters positively wicked. Their both being rewarded with marriage - in one case, a brilliant match - was designed to put fanciful notions into young women's heads, and she'd said as much to Sir Nicholas, adding that the authoress must be a little too flighty in her ways.
What Elinor does not account for is the magic that a neighbor named Jane can work upon her life, allowing those who are undoubtedly deserving of the fairy tale ending they never dreamed of attaining. This charming story not only entertains, but also reflects upon the body of Austen's work in a unique and thoughtful way. I will revisit it next Christmas as a means of getting into the spirit of the season and will also seek out more of Ms. Beverley's books (as soon as I find more time to read again - may it not be a time too far away), as she is an author I had not previously encountered.

Saturday, December 31, 2011

The Annotated Sense and Sensibility, Edited by David M. Shapard

I can think of no better way to end both the year and The Sense and Sensibility Bicentenary Challenge than with a a review of The Annotated Sense and Sensibility by David M. Shapard. Like his editions of Pride and Prejudice and Persuasion (read my review if the latter here), Mr. Shapard not only displays a sincere love and respect for our dear Miss Austen, but also an incredible understanding of her intentions, humor, and the era in which she lived. I adore his annotated volumes and consider them fundamental reading for all Janeites with an academic interest in her work.

When I read Mr. Shapard's annotations, I feel like I've been transported into an intensive class on Austen. When I reviewed his Persuasion, I quoted extensively from his annotations as a means of conveying this sensation. Unfortunately, the clock rapidly clicking towards year's end, as well as the demands of a six month old, do not allow me the leisure to repeat that effort here. Instead, I will confine myself to pointing out his particular attention to "the cult of sensibility", it's fundamental importance to this novel (especially in the development of Marianne's character), and his success at explaining it to a modern audience. I quote from his introduction:
... the theory of moral sense, was an influential philosophical doctrine that explained morality as the product of an instinctive sense of benevolence in human beings. This sense allowed people to understand moral principals, served as proof of the validity of moral laws, and gave people a reason to act morally, since such actions would naturally produce pleasure while immoral actions would produce pain.
In these principals lies the core of Marianne's philosophy. Often we dismiss her as merely a spoiled teenager and fail to understand that her actions are grounded in a doctrine that was pervasive at the end of the 18th century. Austen directly challenges these notions, advocated by many of the great minds of the day - a rather bold move for a young woman of rural origins. For example, when Marianne clearly trespasses on the rules of decorum when she and Willoughby tour Allenham, she and Elinor have the following exchange:
"I have never spent a pleasanter morning in my life."


"I am afraid," replied Elinor, "that the pleasantness of an employment does not always evince its propriety."


"On the contrary, nothing can be a stronger proof of it, Elinor; for if there had been any real impropriety in what I did, I should have been sensible of it at the time, for we always know when we are acting wrong, and with such a conviction I could have had no pleasure."
Mr. Shapard's annotations on this scene point right back to the notion of Moral Sense, and it is in this manner that he emphasizes this fundamental aspect of Marianne's character throughout the book, constantly reminding us of what would be obvious to Austen's contemporaries, though it is a rather alien notion to the modern audience. My previous readings of Sense and Sensibility have certainly been informed by the knowledge I have of 18th century philosophies, but it took Mr. Shapard's annotations to illuminate the pervasive extent to which Austen dwells on these subjects. I finished the book with renewed appreciation for Austen's brilliance and a far better understanding of her authorial intentions. This book is so much more than an excellent romance; it is a carefully worked philosophical essay.

For more on the cult of sensibility I refer you the excellent post that Laurel Ann Nattress, coincidentally our Sense and Sensibility Bicentenary Challenge host, wrote for the last installment of The Sense and Sensibility Bicentenary Celebration at My Jane Austen Book Club, entitled Marianne Dashwood: A Passion for Dead Leaves and Other Sensibilities. Mr. Shapard's Annotated Emma will be out in March. I can hardly wait!

Happy New Year everybody!

Thursday, December 29, 2011

The Dashwood Sisters Tell All by Beth Pattillo

I managed to get this book read - absolutely necessary if I have any possibility of completing The Sense and Sensibility Bicentenary Challenge, issued by Austenprose - by reciting it to my husband as we drove ten hours to Indiana to celebrate Christmas. I have wondered about the books of Beth Pattillo before but never read them, not being super keen on Austenesque set in the present, so this was a welcome opportunity to expand my horizons a bit. The Dashwood Sisters Tell All is about two sisters (shocking, I know) who travel to England to attend a Jane Austen themed walking tour as part of their mother's dieing request. The mother, being a attentive Janeite, knew the importance of documenting her final wishes rather than simply relying on a promise to do as she wished. John Dashwood, after all, certainly intended to fulfill his father's request to care for his sisters, amply demonstrating how good intentions often go to waste. Before Ellen and Mimi Dodge can inherit their mother's estate, they must attend this tour and choose a place to scatter her ashes, and they also must determine what to do with a most unusual item that had been in her possession - Cassandra Austen's diary.

I challenge any Austen lover to read this book without drooling over the prospect of Cassandra's diary. Such an item, as the characters in the book are so good as to continually assert, would be priceless. One of the most intriguing parts of this story is reading some of those imagined entries. Ms. Pattillo envisions a new romance for Jane that drives her behavior in some of the most debated episodes of her life, like the flirtation with Tom Lefroy and Harris Bigg-Wither's proposal. The whole concept is extremely juicy and compelling, but I found myself dissatisfied at the end. The problem with this book is not the premise, which is fabulous, but the characters. Like every Sense and Sensibility modernization I have read during the course of this challenge, the modern versions of Eleanor and Marianne annoyed the heck out of me.

Why is it that when Eleanor and Marianne are transformed into 21st century women they become frigid and ditsy? I noticed this in The Three Weissmanns of Westport by Cathleen Schine and Jennifer Ziegler's Sass & Serendipity. Do the Dashwood ladies just not translate into our modern world, or have they not been done justice? I think it is a case of the latter. In this story, Ellen is cast as the practical one while behaving as if her head was sewn on backwards. Here she is in possession of an invaluable article that she insists on hiding it in her hotel room, repeatedly foreshadowing its eventual theft (I do not consider that tidbit a spoiler as it is blatantly apparent that this is precisely what will happen almost as soon as the diary is introduced). I felt like reaching into the book and smacking her. She also completely lacks Eleanor's keen perception of character and empathy, as demonstrated in her paranoid misreading of her Edward's intentions. Mimi is the pretty vivacious one with a knack for falling for the wrong guy. I think I would have been more satisfied with her portrayal if she hadn't kept complaining that no one thought she was smart while acting like an idiot. Should it not be the cardinal rule of all Austen homages that characters display their essence through actions? A person who asserts one thing while behaving in an opposite fashion is the profile for a Lucy Steele or Fanny Dashwood, not our heroine.

Overall, despite my complaints, the book kept us well entertained though our car trip (the baby, in her infinite mercy, slept almost the entire way). I would love to attend a walking tour like the one described here. The Dodge sisters visit all the great Austen locals, from Steventon to Winchester. The story is, in many ways a Janeite fantasy come true, which is precisely what makes the main characters' shortcomings so annoying. I would love to further elaborate on my response to this book, but as I am just barely managing to get this post completed before the end of the year (and I still have one more review to go before the challenge can be considered complete - stay tuned!), I will conclude by simply saying that I do intend to read Ms. Pattillo's other books, but I am not in a rush to do so.   

Jane Austen Made Me Do It: "A Night at Northanger" by Lauren Willig

I wrote this post in mid November and never published it. Oh this disordered Mommy brain of mine!

As I slowly make my way through Jane Austen Made Me Do It, beautifully edited by Laurel Ann Nattress of Austenprose fame, I felt the need to go back and review a story I had previously determined not to: "A Night at Northanger" by Lauren Willig. The tale has grown on me while lingering in my mind ever since I finished it a few weeks ago. Though I was immediately impressed with Ms. Willig's writing (which I had been meaning toexplore for quite sometime), the premise she sets for this story initially left me a bit discombobulated. It begins with our main character Cate, a disgruntled television personality working on a ghost hunting show, descending with her crew upon Northanger Abbey, home of Mr. Moreland Tilney-Tilney, whom I presume to be the horribly inbred descendant of Austen's hero and heroine. Though Cate has absolutely no belief in ghosts, she and her companions are predetermined to uncover something terrifying in the old Abbey, regardless of their host's goodnatured insistence that the house is far from haunted: "...you mean that rubbish by the lady novelist! Frightfully famous, too, can't think of her name at the moment. Crashing bore, all this dance and that aunt and who's going to marry whom. Don't go in for that sort of thing myself." So it is to Cate's immense surprise that she meets a very real apparition, demanding to know what she is doing in her room and prepared to dole out life advice.

As mentioned above, the notion of a paranormal reality show in the context of an Austen tribute jarred me at first. I really can't stand that sort of programming and was unable to conjure up any sympathy for Cate, who repeatedly laments the fact that she has yet to become the next Barbara Walters, but then the ghost showed up to entrance me. I do not want to completely spoil the story, so let me just quote the extremely sage career advice that the ghost provides a somewhat befuddled Cate:
"An independence," mused the apparition. "Not something at which one would sneer. Even so..." She seated herself on a chair that wasn't there and looked thoughtfully at a fire that wasn't lit. "Poverty is a great evil, but to a woman of education and feeling, it ought not, it cannot be, the worse."
This story keeps running through my head - haunting me, one might say. I've now reread it twice and imagine I will continue to come back for more. The notion of conversing with this particular ghost is so appealing; I keep wondering how she would advise me on the cares and concerns I encounter each day. When I do finally find more time to read again I will definitely move on reading some of Ms. Willig's Pink Carnation books, which had loitered in my TBR pile for far too long. 

Sunday, December 25, 2011

Merry Christmas!

My poor neglected blog! Santa's bringing you lots of posts to make you feel loved again before the year is over. In the meantime, "May your Christmas abound in the gaieties which that season generally brings"!