A Mixed Up Mashup Introduction

Thing 1: It is has been to my great sorrow that I have no more mashups to write (find out what I speak of here). Bonnets and Broomsticks was a one time lark, and Northanger Abbey has not adaptations enough to make such an endeavor worthwhile, my prejudices entirely in favor of the 2007 cast.

Thing 2: As I struggle to reinvent this blog to fit my new lifestyle, the one Austen related activity I have ample time for remains daydreaming while pushing my daughter's stroller about the neighborhood, a magical place I call Austenland (for those who have no notion what I speak of, check out my contribution to Austenesque Extravaganza 2011.)

So why not make use of the resources at my disposal? I propose a Mixed Up Mashup, where my favorite actors in each role portray the crazy ramblings of my imagination.  In order to proceed on this notion, a few necessities must first be addressed. When I did the mashups, I failed to find images of all my choices, and as I am too lazy to edit the original posts, I will simply fill in the holes (that I can) here. Presenting missing characters from ...

Emma

Raymond Adamson as Mr. Weston:

Robert East as Frank Chruchill:

John Fredenburgh as John Knightley:

Meg Gleed as Isabella Knightley:

Mollie Sugden as Mrs. Goddard:

Persuasion

Basil Dignam as Sir Walter Elliot:

Morag Hood as Mary Musgrove:

Valerie Gearon as Elizabeth Elliot:

Judy Cornwell & Roger Hammond as Mr. and Mrs. Musgrove:

Robert Glenister as Captain Harville:

Sense and Sensibility

Annie Leon as Mrs. Jennings:

More to follow soon!

Images:

Emma

http://sharetv.org/shows/emma_uk_1972/cast/mr_weston
http://sharetv.org/shows/emma_uk_1972/cast/frank_churchill
http://marspeach.wordpress.com/2011/01/12/emma-2009-review/

http://sharetv.org/shows/emma_uk_1972/cast/isabella_knightley
http://sharetv.org/shows/emma_uk_1972/cast/mrs_goddard


Persuasion
http://marspeach.wordpress.com/2011/04/06/persuasion-1971-review/
http://austenitis.blogspot.com/2012/06/persuasion-comparison-part-2.html
http://robertglenister.livejournal.com/1389.html


Sense and Sensibility
http://marspeach.wordpress.com/2010/05/23/sense-and-sensibility-1981-review/

Bespelling Jane Austen by Mary Balough, Colleen Gleason, Susan Krinard, and Janet Mullany

For my last review in honor of Halloween, I turn to an anthology of four romance writers' supernatural interpretations of Jane Austen's stories. Bespelling Jane Austen is an amusing collection with many highlights, but also a few drawbacks. It seems only appropriate to explore each tale in turn.

Almost Persuaded by Mary Balogh opens the book. It is a loose take on the Persuasion story, the characters having different names and slightly different back stories. The supernatural premise focuses on reincarnation, the Anne and Wentworth characters (Jane Everett and Captain Mitford) being soul mates: doomed to fall in love, life after life, and always tragically separated. Special insight into their plight, however, allows them the opportunity to maybe get it right this time. This is a very sweet and romantic story which had me hooked from the first page, but, as frequently happens, I was a bit uncomfortable with the amount and type of sexual content incorporated into a Regency period piece. Some of the choices the characters have to make felt, to me, to be negated by over excited libidos, but I imagine that most people would not find this aspect problematic.   

The second story is Northanger Castle by Colleen Gleason, and I think it was probably my favorite in the collection. A Catherine Moreland based character, Caroline Merrill, visits Bath with her mind full of Gothic tales, in particular a vampire novel called "The Venator" about a sect of vampire hunters and their prey, the Tutela. Everywhere she goes she sees people who seem to fit into the profile of the characters in her novels, but it begins to seem that Caro is more than just an imaginative young lady, and that her flights of fancy have some basis in fact. I really enjoyed this story, but I have one HUGE complaint that almost made me throw down the book in annoyance. The story begins with an assembly in the Pump Room. An assembly in the Pump Room? Perhaps a reader with greater knowledge of Bath history will be able to shine some light on this, for as far as I know, such events were never held in this public gathering place.

Story number three is Blood and Prejudice by Susan Krinard, who is the force behind this collection of stories. It's a cute modernization of Pride and Prejudice with a vampiric twist, namely that both Darcy and Wickham (and Lady Catherine) are members of the undead. Though shortened, it largely follows the original storyline, which I found pleasing. I particularly liked that Darcy was still the same Regency gentleman we know and love, though transposed into a modern setting and extremely old.

The final story is by Janet Mullany. Just yesterday, I reviewed Ms. Mullany's Jane and the Damned (read it here), which I highly enjoyed. Unfortunately, Little to Hex Her, a modernization of Emma, incorporating all kinds of supernatural creatures, held little appeal for me. The problem mostly derives from Ms. Mullany's blatant dislike for both Emma and Knightley. In this story, Emma runs a dating agency (almost too appropriate) in Washington D.C. for vampires (Frank Churchill), werewolves (Harriet Smith and Robert Martin), elves (the Eltons), witches (Emma, Knightley, "Missy" Bates, and Jane Fairfax, and naiads (none of our main characters). It could have been amusing, but I just felt all the characterizations were wrong. Emma is completely lacking in confidence, as is Knightley, while "Missy" Bates rambles endlessly without making any sense, unlike Austen's character, who reveals a great deal of extremely pertinent information. I found it an anticlimactic end to the collection.

Overall, there is lots of fun to be had in this book, and it was supremely appropriate holiday reading. Happy Halloween everybody!

Sense and Sensibility Mash Up

Today I tackle mashing up Sense and Sensibility, which I think may be the book of Ms. Austen's that best translates to film. All the adaptations done of this story stick fairly closely to the original text, and all are satisfying in their own ways. Nevertheless, as each film has improved on its predecessor, the first - a 1971 BBC mini-series in four parts - cannot really compete in this contrary exercise in which I intend to indulge. It is for this reason that I posted a review of the film last Friday, as it is entirely unrepresented here. Still, between the 1981 BBC mini-series (this one was allotted an enormous seven parts, though in only half hour increments), the 1995 Ang Lee film, and the 2008 Andrew Davies mini-series, this was still the hardest mash up I have yet attempted. Some of the characters have been repeatedly represented phenomenally - like Fanny Dashwood and Willoughby - making selection very difficult. I know many will disagree with my final calls, but as I acknowledge the entire endeavor to be partial and prejudiced, I hope no one may think I slighted anyone intentionally. That being said, for your delectation may I present my Sense and Sensibility Mash Up? I hope you enjoy it!

(Check out previous mash ups - Emma, Mansfield Park, Pride and Prejudice, and Persuasion)

Elinor Dashwood - Though Irene Richard charmed me in this role (also familiar to Austen fans as Charlotte Lucas in the 1980 production of Pride and Prejudice), and Hattie Morahan was positively exquisite, I still prefer Emma Thompson in the role (despite being a bit too old for it). Yet I cannot watch the film without remembering those awesome final episodes of "The Vicar of Dibley", so memorable to Richard Armitage fans, in which Dawn French refers to Emma Thompson's reaction when Hugh Grant finally asks her to marry him. If you've ever seen it, by all means get a copy a check it out!

Marianne Dashwood - I'm sticking with 1995 on this one, though it was a tough call between Kate Winslet and Charity Wakefield. I went with the former because, frankly, I just really like Kate Winslet. Ever since first seeing the film (not long after first reading the book), she has been the Marianne in my mind's eye whenever I read the book.

Edward Ferrars - By far and away, I vastly prefer Dan Stevens' 2008 portrayal to any other Edward. He is more charming than Edward is usually imagined to be, which might have something to do it with it. I must admit that Edward is not one of my favorite Austen heroes.   

Colonel Brandon - On this one I am decidedly biased towards 1995. I adore Alan Rickman andwill always think he's the best Brandon, no matter how many phenomenal performances David Morrissey gives. I have nothing else to offer in justification of myself. 

John Willoughby - If I could blend Greg Wise's 1995 performance with  Dominic Cooper's physical appearance I would, but, as that would be against my self imposed rules, I'm going to pick Dominic Cooper (2008) for this role. He just looks exactly like I have always imagined Willoughby to appear (a slight resembles to my first boyfriend doesn't hurt either).

Mrs. Dashwood - Everyone who has played this role has done a fine job, but I prefer Janet McTeer's 2008 portrayal. She captures the sensitivity towards her children that Austen develops so well and looks every inch the lady of the manner. We really feel her the magnitude of her indignation at her social descent in this adaptation.

Margaret Dashwood - I lean towards Lucy Boynton in the 2008 production for this role, although her interpretation seems more based on Emilie Francois' 1995 performance than anything one might find in Austen. As none of the previous adaptations bother to include Miss Margaret, I guess we can assume that this hoydenish portrayal is the version cinema is sticking to.

Lucy Steele - I am going back to the 1981 version for this selection. Julia Chambers is the only actress who seems able to balance her innocent facade and the deceitful nature. The other portrayals lean either too far one way or the other for my satisfaction. Unfortunately, I could not find a better quality photo. 

John Dashwood - This was a very hard decision, but in the end I think I favor Mark Gatiss' 2008 performance, as he really comes off as, frankly, whipped, and inclined to act better were his wife not such a harpy. This feels, to me, more in keeping with Austen's intentions for him.

Fanny Dashwood - I imagine this must be a wonderfully fun part to play, as most of the actresses who have attempted it have done it so well, but I like Amanda Boxer's 1981 performance best. She has such a sneer! Her self-satisfied condescension is perfect.





Mrs. Jennings - Again, 1981 holds sway here. I really like Annie Leon's motherly portrayal of this part. She is both the ill-mannered and jovial lady Austen created while perfectly capturing the truly good heart that lays beneath the unpolished exterior, yet not an image can I find! You'll just have to watch the film!

Sir John Middleton - This is another role that just seems like fun and has been repeatedly performed well. I like Mark Williams' 2008 portrayal best. He's a perfect country squire while not being overly course. I also like how his friendship with Colonel Brandon is developed further in this adaptation.

Mrs. Ferrars - For whatever reason, none of the actresses who have played this role seem to quite capture the essence of the part, at least not at well as some Austen's other grand-dames have been portrayed (like Lady Catherine). I think Jean Marsh did the most justice to the part in 2008, incorporating a very appropriate haughtiness into her performance, but I wish she would have been less stoic (especially when she confronts Edward and Lucy).

Charlotte Palmer - I really like Hetty Baynes thoroughly silly portrayal of this part from 1981. Her incredibly annoying giggle sticks with me far more than any aspect from any other lady's performance as Charlotte, although a personal bias makes me long to give this role to Imelda Staunton -1995 (especially as I lament the lack of a decent image of Ms. Baynes).

Mr. Palmer - Although the interpretation of Mr. Palmer presented by Hugh Laurie in 1995 is significantly more sympathetic than anything Austen could have envisioned for the man, I like it, and I like Mr. Laurie. His performance emphasizes the similarities between the relationship of the Palmers to that of Mr. and Mrs. Bennet, a parallel which has long intrigued me.

Anne Steele - I prefer Daisy Haggard's 2008 portrayal of this part. Something about her toothiness makes her performance work far better for me than the others. It should be noted that Miss Steele was completely absent from the 1995 film - a sad omission of a fabulously comic character in my mind.

Robert Ferrars - There is a propensity to cast rather doughy-faced actors in this role, a practice I do not fully understand. Of the doughy-faced portrayals of this part, I think I find Richard Lumsden's 1995 performance most satisfying. Perhaps he is just less doughy than the other actors, but I do think he has a bit of the Ferrars haughtiness, which helps to make him rather convincing.



Images -

Emma Thompson - http://www.jimandellen.org/austen/janeausten.onfilm.html
Kate Winslet - http://movies.ndtv.com/GalleryDetails.aspx?ID=3505&category=Movies&picno=1&Section=Hollywood
Dan Stevens - http://austenefforts.bravehost.com/sensibility2008.html
Alan Rickman - http://www.likesbooks.com/blog/?p=898
Dominic Cooper - http://www.hecklerspray.com/top-19-cads-of-all-time/201044655.php
Janet McTeer - http://janeaustensworld.wordpress.com/2008/03/30/sense-and-sensibility-2008-makes-wonderful-sense-for-the-most-part/
Lucy Boynton - http://www.rottentomatoes.com/celebrity/1190128-lucy_boynton/pictures/?type=flixster&imageCount=9&rtImageCount=0
Julia Chambers - http://juanhuang772.spaces.live.com/?_c11_BlogPart_BlogPart=blogview&_c=BlogPart&partqs=cat%3D%25e5%25bd%25b1%25e8%25a7%2586
Mark Gatiss - http://www.pbs.org/wgbh/masterpiece/senseandsensibility/characters.html
Amanda Boxer - http://janeausten.com.br/page/45/
Mark Williams - http://www.pbs.org/wgbh/masterpiece/senseandsensibility/characters.html
Jean Marsh - http://austenefforts.bravehost.com/sensibility2008.html
Hetty Baynes - http://juanhuang772.spaces.live.com/?_c11_BlogPart_BlogPart=blogview&_c=BlogPart&partqs=cat%3D%25e5%25bd%25b1%25e8%25a7%2586
Hugh Laurie - http://www.theladiesofthehouse.org/Fan-Page.html
Daisy Haggard - http://austenprose.com/2009/02/09/masterpieces-sense-and-sensibility-2008-revisited-part-two/
Richard Lumsden - http://forum.blueharvest.net/index.php?showtopic=6955&st=40

Persuasion Mashup

Another mashup for your imaginitive indulgence! Having already committed such foolishness of behalf of Mansfield Park, Emma, and Pride and Prejudice, I have moved on to my next victim, my very favorite Austen novel which, unfortunately, doesn't really seem to transfer to the screen as well as some of the others. I have great issues with the available Persuasion adaptations - the 1971 BBC mini-series is my favorite (yes, in spite of bad cinematography), largely because it is the only one that doesn't include, for some unfathomable reason, the chapter Austen deleted in which Captain Wentworth asks Anne on behalf of Admiral Croft if she will be wanting to reside at Kellynch following her rumored marriage to Mr. Elliot. I cannot fathom what possesses film makers to include this. The 1995 film is very good, other than that scene, and the 2007 version is fabulous up until the last fifteen minutes, at which point I start screaming every time I see it. Warning to the weary - I shall now indulge myself in a bout of ranting, for I really HATE the end of this film. Anne would not run ramshackle through the streets of Bath (let alone Mrs. Smith, who is supposed to be an invalid), that super prolonged prelude to a kiss in which Sally Hawkins looks as if she is about to eat Wentworth's face turns my stomach, and even if the estate weren't entailed onto Mr. Elliot, Captain Wentworth's 20,000 pounds still wouldn't buy him Kellynch Hall! Ahhhh! That felt good to get off my chest, and now I believe I am ready to engage in an extremely partial and prejudiced exercise, mixing and mashing my favorite actors from each role into my ideal Persuasion cast. Who would you pick?

Anne Elliot - This was very difficult, as all three actresses who have played the part have their strengths. Ann Firbank (1971) looks the most like I envision Anne, and though I cannot fairly blame the choices of the director on Sally Hawkins, I still can't forgive her for the end of the 2007 film, so the prize goes to Amanda Root, who really does do an exquisite job representing my favorite heroine in all of English literature.

(image - tumblr.com)

Captain Wentworth - I typically prefer dark haired men to blonds, and actors who played beloved historical figures in Rome, but I have to give this one to Rupert Penry-Jones for his 2007 performance, which was exquisite! He captures the passion and emotion of Wentworth better than the other actors who have played this role - no easy feat, as anyone who has read that letter can attest to.

(image - Becoming Jane Fansite)

Sir Walter Elliot - I think Basil Dignam's performance, though dated in style, is the only one to have accurately captured the role (it might have something to do with him being the only one to quote the Baronetage). It is amusing that all three gentlemen who have played the part resemble each other physically. Unfortunately, there is not an image to be found.

Lady Russell - I prefer Susan Fleetwood in this role, from the 1995 production, but I must mention Alice Krige's rather sinister, 2007 portrayal, as she was also the Borg Queen (a rather terrifying personage) in the Star Trek movies. How very creepy she is, but certainly not the Lady Russell Austen created.

(image - Ellen and Jim have a Blog, Too)

Mary Musgrove - I prefer Morag Hood in this role, as she is both charming when appropriate and whinny the rest of the time (I wish I had an image to share). I cannot help myself but must comment on Amanda Root's sniveling 2007 interpretation, which I loathed. Stand up straight woman! You are the daughter of a baronet!

Charles Musgrove - I like Simon Russell Beale, 1995. There is a look in his eye that perfectly captures the awkwardness of Charles predicament, torn between a high-maintenance wife and family. Today, he would live in his man cave instead constantly going off shooting. What a real character! We've all known one. Unfortunately, I could only find a picture of his back.

(image - Jane Austen em Portugues)

Louisa Musgrove -I prefer Emma Robert's 1995 performance the best. Hers is the most likeable portrayal of Louisa. This rather unsatisfying image is the only one I could find. Louisa is to the left of Harriet, and you can see Mary and Charles in the background en route to Winthrop.








(image - Photobucket.com)

Henrietta Musgrove - I must go back to '71, when Mel Martin took this role. As Louisa is the Musgrove who tempts Captain Wentworth (though only due to her availability), film makers seem to have a difficult time remembering that it is Henrietta who is generally reckoned the most handsome. As I had not even the slightest hope of finding an image, I escaped disappointment.

Elizabeth Elliot - This was another hard call, but again I think I must go back to 1971 and Valerie Gearon's portrayal. It is the most natural, later performances tending towards caricature. Again, no picture ...

Mr. Elliot - Here the Rome bias plays out. Tobias Menzies (who played Brutus) is by far my favorite Mr. Elliot. He treads that charming but sinister line terribly well. 

(image - PBS.org)

Mrs. and Admiral Croft - I've paired them together as Fiona Shaw and John Woodvine were picture perfect in 1995, just like they had stepped off of the streets of Bath as Austen described them right into my living room.







(image - Each Little World)

Mrs. Clay - Mary Stockley from the 2007 production. Frankly, she's the only one pretty enough for me to believe could really perceived as a serious threat to Mr. Elliot's succession, though it would be better if she had freckles, which none of the actresses in this role seem to have. What to do with all that Gowlands?

(image - PBS.org)

Mr. and Mrs. Musgrove - Again, I must commend the casting in 1995, for Judy Cornwell and Roger Hammond look every bit their parts as do the Crofts - large and jolly, just as they should be. I have no patience with undersized Musgroves, and even less patience with my inability to locate an image of the fat and proper ones.

Captain Harville - Robert Glenister, 1995. He looks so much the sailor (which you can't see as I again am pictureless) and delivers those lines on woman's constancy very well.

Captain Benwick - I prefer Richard McCabe (1995) in this role. Here he is pictured behind Anne and Wentworth, right after Lousia's fall from the Cobb.





(Image - imdb.com)

Quickly, just in the name of thoroughness, I like Mr. Shepherd as portrayed by Michael Fenton Stevens (2007), Helen Schlesinger as Mrs. Smith (1995), Sally George as Mrs. Harville (also 1995) and Paul Alexander as Charles Hayter (1971), who had very little competition (not sure who that Henry fellow in 1995 was supposed to be - are Austen fans so stupid that we can't handle two characters having the same name without being thrown into confusion? Certainly not!). I have no opinion on Lady Dalrymple and her daughter, who are as much non-entities to me as Colonel Wallis.


So there you have it. Are we in agreement or have I slighted your favorite actor? Please tell me all about it! And for those of you who haven't seen the 1971 version, check out this short clip from the very beginning of the film. You'll get a glimpse of all the Elliots, quite useful since I couldn't find images of Mary or Sir Walter. This is when the latter quotes the Baronetage - my favorite intro to my favorite book! Enjoy.

Pride and Prejudice Mashup

No, no monsters here. Those who have long read this blog will recall my flights of fancy with Mansfield Park and Emma, in which I picked and chose my favorite actors in each role to compose my idea cast for each film. It is a highly prejudiced exercise, and I intend to fully exercise that prejudice here, appropriately (and repetitively), as I perform the same office for Pride and Prejudice. This most beloved of Austen's novels has been portrayed on film numerous times: first in 1938 (a mere 55 minutes!), then in 1940, starring Greer Garson and Laurence Olivier, and again in 1952, 1958, 1967, and 1980 (staring Elizabeth Garvie and David Rintoul - read my review), all in mini-series format, well before Andrew Davies made his monumental, 1995 mini-series staring Jennfier Ehle and Colin Firth (which is by far my favorite, so consequently over represented here). Next came the 2003, LDS modernization and, of course, the 2005 production staring Keira Knightley and Matthew Macfadyen. This does not include Bollywood's 2004 Bride and Prejudice, Bridget Jones's Diary, Lost in Austen (read my review), or the upcoming and Pride and Prejudice and Zombies. The variations are seemingly endless, so for clarity (and for the sake of my sanity), I will focus on only the four best known, traiditonal adaptations: 1940, 1980, 1995, and 2005. As all have numerous merits, the following casting decisions were extremely hard to make:

Elizabeth Bennet - Though all four actresses play the part well, it is Jennfier Ehle who will always be my personal favorite. The indignation and joy she expresses with her eyes are perfectly Elizabeth. No one else captures the liveliness that characterizes her so well. Her performance is, in my opinion, definitive. 



(image - www3.bc.sympatico.ca/yve/darcymania)

Fitzwilliam Darcy - Um ... Colin Firth of course. Any one who has been paying attention knows my love of his performace. Just like Jennifer Ehle expresses Elizabeth's "sparkling" nature through her eyes, in Colin Firth's we see all of Darcy's pain and struggles. This has nothing to do with wet shirts and bathtub scenes, in fact I think he looks more handsome in his great coat, but is premised on the fact that he totally embodies the role. If Ms. Ehle's performance is definitive, his is iconic.

(image - Jane Austen in Vermont)

Jane Bennet - I really love Sabina Franklyn's 1980 performance. She makes Jane more warm and feeling than she is usually portrayed, without sacrificing that notoriously private lady's composure. I do tend to think of Jane as a blond, but Ms. Franklyn's hair color is not enough to sway me from her.

(image - Jane Austen Today)

 

Charles Bingley - I have to go with Simon Woods in 2005, mostly because he just looks the most like I think Mr. Bingley should. It was a very hard call, as Crispin Bonham-Carter played the role superbly in 1995 (who also has the advantage of being related to one of my favorite actresses, as well as having made an appearance on one of my favorite TV shows), but some roles must go to the 2005 cast and, if Mr. Bingley had a larger role in this version, I believe Mr. Woods (who was actually in yet another of my favorite TV shows) would have been remarkable.

(image - Flore et Faune)

Mr. Bennet - This one is easy. Benjamin Whitrow was Mr. Bennet in 1995. He is perfect in the role, from the sardonic twinkle in his eye to the humored grimace he maintains throughout. No one else has matched him.

(image - BBC)

Mrs. Bennet - Also easy, and though I do not think Alison Steadman is quite as fabulous as her counterpart, it is her voice I now hear shrieking in my mind every time I read the book, which should certainly count for something. She does a better job with the comic aspect of the role than some of the other actresses, and she flutters divinely.

(image - ShareTV.org)

Lydia Bennet - Those of you who have been following my many links in this post may already know why my prejudice is completely with Julia Sawalha on this one, who performed the role amazingly well in the 1995 mini-series. She played Saffron on the 90's TV show Absolutely Fabulous, a role as different from Lydia as it  possibly could be, and for which she will always command my loyalty.

(image - Jane Austen Today)

 George Wickham - Adrian Lukis of course, 1995. I mean, just look at him! Need I say more?

(image - la mia biblioteca romantica)

Caroline Bingley - There is a a reason why Miss Bingley almost always wears orange (and looks ghastly in it) in Austen fan fiction: because Anna Chancellor made such a huge impression on everyone who saw her 1995 portrayal of the character. Really, she was fabulous.

(image - Jane Austen Today) 

Mary Bennet - Mary gets a few more lines in the 1980 mini-series, which might be why I favor Tessa Peake-Jones in the role. Her piano playing is atrocious, her countenance smug, and I just adore the entire performance. I also enjoy how the character was developed in 2005 by Talulah Riley, but she was not as Maryish as she should have been.

(image - My Pride and Prejudice)

Kitty Bennet - If Carey Mulligan had the opportunity to cough in this role, I might have had to go with her, but as it is I must give it to Polly Maberly, 1995.

(image - fanpop.com)

 Mr. Collins - Once again, I have to go with the 1995 performance of David Bamber (though Malcolm Rennie must be commended on his dancing in the 1980 version), and again, not just because he is spectacular, but because he is reaping the benefits of my prejudice being on his side. I was always amazed by his perfect portrayal of one of the silliest characters in Austen, but after boggling my mind as Cicero in Rome, he has my undying devotion.

  (image - jasna.org)

Charlotte Lucas - After much deliberation, I have to say Claudie Blakley in 2005 was the best. I really love both Lucy Scott (1995) and Irene Richard (1980) in this role (though I always considered Ms. Scott a bit too pretty for it), but Ms. Blakley, with very little time on screen, nails it.

(image - fanpop.com) 

 Lady Catherine be Bourgh - This is a little unfair, as this fabulous role has been performed beautifully by all the actresses who have undertaken it, but when Judi Dench is in play, who can really compete? In her hands, it is like the character stepped out of the book and onto film, an indomitable force demanding to be reckoned with.

(image - allmoviephoto.com)

Georgiana Darcy - I like Emma Jacobs' very short 1980 performance, because it best represents the shyness and timidity Austen gave to the character. Unfortunately, I cannot find an image of her.

(Added 4/21/11 - Thanks to Vince Runza for the following image! https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie27Wzz7EJxFhnBDKQaJ9WZLAV6vuufkGLGZ6G1hHjEfgJZXMpZ04jKaedSP0kgxbrnjm8ljx6cwIqtl8LfbD_KB_QeO9sukqNg3nGPrLHN_huhb6Vq0oYQK6VWHefbHFUsCvuLduM2Oo/)

Anne de Bourgh - Again, I like the 1980 representation of this character by Moire Leslie, although this time it is because she is developed beyond what Austen provides. With no lines, it takes only one tender moment for Ms. Leslie to garner our sympathy. Very well done. Sadly, I cannot find an image of her either.

Mr. and Mrs. Gardiner - I love how this couple was portrayed by Michael Lees and Barbara Shelley in 1980. Sophisticated, agreeable, and snidely witty, their performances were dead on. While I cannot find an image of Mr. Lees, here is Ms. Shelley with Elizabeth Garvie.

(image - ellenandjim.org)

Mr. and Mrs. Hurst - Rupert Vansittart and Lucy Robinson (who also played Mrs. Elton in the 1996 TV adaptation of Emma) were perfect in 1995. I especially love when Ms. Robinson demonstrates what good piano playing sounds like with Mozart's Rondo alla Turca, played with such a self-complacent smirk on her face.

 (image - My Pride and Prejudice)

Colonel Fitzwilliam - 1995 again, Anthony Calf. He just has the correct manner: not stiff or too handsome but with good air.

(image - meanddarcy.blogspot.com)

Maria Lucas - Lucy Davis (1995) doesn't have a lot of competition, but she does do a wonderful job. Her performance reminds me of Mary Crawford's thoughts regarding the distinction between ladies who are out and those who are not. Here she is with Jennifer Ehle.

(image - fanpop.com)

 Sir William Lucas - Christopher Benjamin's 1995 performance is perfect.

(image - kellynch.com)

Mrs. Phillips - No one has made her quite vulgar enough for my tastes, but I prefer Lynn Farleigh's 1995 rendition to the others. I love this image of her with Alison Steadman and only wish it were clearer.

(image - lousiemacdonald.com)

 Forgive me for stopping here, to the neglect of Lady Lucas, Mr. Denny, and Mrs. Hill, amongst others. There are so many players in this story that it is difficult to be conclusive. And what of the 1940's version, which I have totally failed to represent? It is so different from the book that it has proven too difficult to plug its characters into a scheme like this, but that does not mean that it isn't a wonderful movie, if a product of its time. In way of making amends, I am concluding on this clip from the film, which includes my favorite scene, in which Greer Garson shows up Laurence Olivier in archery. Enjoy it, as I hope you enjoyed this highly prejudiced exercise. Who would you have cast?