Showing posts with label writing process. Show all posts
Showing posts with label writing process. Show all posts

Monday, October 9, 2023

Compelling Lamppost

I had to cut a scene I really liked from A Mixed--Up Mashup in which I used a lamppost, a la Narnia, as a portal through time and space. It just really didn't work. This solitary, oddly ornate specimen always reminds me of it. Here is the scene. I'll think of it every time I walk by. 

Elinor and Marianne Dashwood had only just arrived in London that morning and established themselves as part of Mrs. Jennings household when that lady invited them to attend the shops, always the most urgent point of business on a visit to the capital, regardless of how many days one spent cooped up in a carriage getting there. As they stepped from the house towards the awaiting carriage, they were alarmed to be accosted by an unknown lady, who though of unexceptionable attire, was marked in every other manner – her gestures, her carriage, her speech – as an eccentric.

“Forgive me,” she began, somewhat breathlessly, “my dear Misses Dashwoods, for interrupting your outing. But wow! I’m very relieved to have found you. I was sent by your mother. You are to come with me at once.”

“Excuse me, ma’am,” said Mrs. Jennings, moving protectively in front of her charges and gesturing to her footmen for attendance, “but who are you to be speaking to these ladies so familiarly?” 

“I am sorry, Mrs. Jennings, but I have very little time to fully explain. If the two young ladies would just speak with me just a minute, my purpose will be served, or at least I think it will. We just need to step over here for a moment,” she moved her hands in a shooing gesture and mimicked walking, hoping the ladies would follow.

 

By now, everyone watching this performance was thoroughly convinced that the lady was mad (and I can tell you, quite confidentially, that she also doubted her sanity, so on that point the group was in harmony). As two footmen flanked the stranger, Mrs. Jennings turned to usher the Misses Dashwood into the carriage. In panicked tones, the lady called out, “It would be so much easier if you would just spare me a moment! Please, Miss Dashwood, your mother sends a most urgent message. I ask only a moment of you and your sister’s time!”

 

Miss Dashwood, hearing a real note of panic in the woman’s voice, could not help but pity her. She paused, her foot on the carriage stair, and asked, “What harm could it do to hear her out?”

 

“None whatsoever,” Miss Marianne said determinedly, striding up to the lady and taking her hand. “What is it you have to say?”

 

“If you would but walk with me, your sister, too, all will become clear.”

 

“Oh no! You shall not whisk them away on my watch!” protested Mrs. Jennings. “Say your piece here, and then be off with you.”

 

The lady looked with consternation at the looming footmen. “What I have to say is not for all ears. If you would let them step but a half a block away, just out of earshot, that is all I ask. You will still see them. We will go no further than the lamppost, I promise.”

 

“Absolutely not! If you come with an introduction from Mrs. Dashwood, why not present yourself properly, instead of assaulting gentlewomen in the street? Anything you have to say to them, you may say to me,” she concluded with unaccustomed ferocity.

 

“Very well,” the lady sighed, rolling her eyes. “I have no more time to argue about it. Please, just come this way,” and this time she actually walked, instead of just miming the act, and the other ladies conveniently followed.

 

“This is far enough,” declared Mrs. Jennings when they reached the aforementioned lamppost. “Now tell us who you are at once.”

 

“Gladly,” she replied, already far calmer than mere moment before. “My name is Alexa Adams, though you will probably insist on calling me Mrs. Adams, just like the others.”

 

“The others?” Miss Dashwood asked.

 

“Yes, it should all be clear in a moment,” she said, looking around her. “I thought a lamppost a handy spot to use as a portal,” she laughed. “I hope it works!”

“What is this nonsense?” Mrs. Jennings huffed impatiently, but even as she spoke the words, the scenery around them began to shift and change, and suddenly they were no longer standing on a tidy Mayfair street corner, but on a much greener one, almost crowded with trees, with a motley collections of cottages and estates surrounding it. The only thing that seemed to remain the same was the lamppost. Mrs. Jennings turned around once in wonder, uttered a most alarming noise, and fainted on the spot.

 

The two Misses Dashwood knelt to assist their hostess, looking in vain for the footmen so lately in attendance, but Mrs. Adams, to their consternation, actually looked satisfied with the situation. “Good!” she declared. “I was hoping to not bring her at all, but since she insisted on coming, I’m glad to be able to foist her off on another member of the party. I believe your mother should still be at Longbourn, which you see across the way. Marianne, will you fetch her?”

 

Miss Marianne, quite bewildered, looked about her in shock. “But, is that not Barton Cottage itself, just there?”

 

“It is, but your mother is visiting at Longbourn, so that is where you will find her.”

 

“But it is impossible!” declared Miss Dashwood, pressing a hand to her head as an unaccustomed headache took hold.

 

“Yes, surely impossible, but here we are, nevertheless. Just that way you can even see your dear Norland. Please, I will explain everything, but first we must attend Mrs. Jennings. Marianne, will you get your mother?”

 

The stunned young lady complied, the idea of sheltering in her mother’s arms being the most appealing thing anyone could have suggested to her at the moment.

 

“What is all this?” asked Miss Dashwood, accusingly.

 

Mrs. Adams laughed. “My imagination quite run awry. I’m sorry to have incorporated you into the story in this jarring fashion, but I promised your mother I would bring you, and I couldn’t simply move an entire London block. We’re already too crowded in as it is. At least I found some suitable clothing, thanks to my friends in the local JASNA chapter. My Regency costume isn’t at all appropriate for day wear. Oh, but I did want to leave Mrs. Jennings behind! I already have too many difficult personalities on hand. I mean, she’s way better than Lady Catherine, of course. I really do wish I had thought to exclude her, but I had no idea what I was doing, you see.”

 

“No! I do not see,” Miss Dashwood replied in dismayed tones. “Nothing that you say makes the slightest bit of sense.”

 

“No. I suppose it wouldn’t. Unfortunately, complete explanations will have to wait. I still need to go get Jane Bennet, and I’d better go before Mrs. Bennet arrives. I see her now, approaching with your mother.”

 

Miss Dashwood looked towards the house called Longbourn, and indeed, there was the welcome of sight of her very own mother, hurrying forward with Marianne, and Margaret, too, trailing behind. They were followed by a large accompaniment of other ladies, whom she presumed to be Mrs. Bennet and her daughters, as well as a few gentlemen, but when she turned to further question Mrs. Adams as to their identities, she had already disappeared.



Monday, October 2, 2023

Conversations with Bard 7: Conversations with Dall-e

I'm chugging along on a Mixed-up Mashup, though I do wish I could come up with a better title. Anyway, I figured it was time to think a bit about cover art, and it seemed only appropriate that this story have a cover that is AI generated. I had a lot of fun playing with Dall-e. Most of the results were atrocious, and hilarious, but I finally found something I felt worked. Thought I'd share the images. So funny.

English & Swiss villages smashed together

Jane Austen time travel

I might use this one somewhere, someday.

I actually really like this, just not for this story.

Feel like I've read this comic.

No zombies, thanks.

Jane Austen in Switzerland! Nailed it.

Mr. Darcy in Switzerland, psychedelic style

Barbie version of Austen through the time portal.

Spooky.

I really like this one, too. Might use it someday.

This is where I landed. I'd love some feedback!


 


Friday, September 8, 2023

Conversations with Bard 5

So this was kind of interesting. I tried prompting Bard with the questions I'm asking its fictionalized version in the book, providing no context. I definitely think I can use some of this language in the novel, especially as it comes at a part where I want to be hitting a brick wall in my interactions with it. Check it out here: How did you do it Bard?.

I also hit a big problem in my attempt to reuse the previous draft to inform this one. I wrote it in the second person. Trying to switch it into a first person narrative will really break the Austen-like voice I always strive to create, if it's even possible. Do I even want this to be a first person narrative? It suits the immediacy of the story I'm now framing the plot within. Can I switch back and forth between the two? That feels like the authentic solution, but I worry it will be jarring. Still, I think I just go with it for now, accepting that I may have to do some massive, revisionist editing down the road. We shall see.

Oh, and I added more to the new forward and updated it in my last post, if you'd like to check it out. It's what led me to a direct confrontation with this first vs. second person quandary.  

Monday, September 4, 2023

Conversations with Bard 4: A New Forward

I've written a new forward to the story, placing the entire thing within the context of AI overreach. I've started a new conversation with Bard to focus just on this idea. Check it out here: I'm writing a novel in which you are a character, Bard.

I'm posting the entire new forward below. It's still very rough, but easier to read on this page than in the generated link. I also shared it with Bard through the previous, ongoing conversation. The response isn't all that different, but you can read it here: New Forward.

I see the good people at A Happy Assembly are back from a well-deserved holiday. I hope yo resume posting the story there, Waiting on advice from the moderators.

I hope you enjoy the following:

Forward: Falling down the Rabbit hole

 

The apartment is empty, greeting me with a welcome lack of sound. I shut the door and lock it, a habit leftover from life in the United States, but probably unnecessary in my quiet Swiss town. Nearly a decade after moving overseas, I find the ingrained security behavior comes and goes with my anxiety. And you’re currently anxious, I chide myself. A lifelong battle for mental health has made that rather shrill voice of self-reprimand achingly familiar, unwelcome but needed. I am anxious, I acknowledge, gently. Why?

 

You should be ecstatic, walking on air! Your child survived and has returned to school! But the relief of his survival has already passed, and now suddenly here is normality, or something akin to it. My own life. My own needs. I need to recall them. I need to write!

 

I need to write, I have pestered myself thusly for years now, too many to accurately recall. I managed to finish a few novels after Matt’s birth, and I even finished a short story during those bewildering pandemic years, but there has been no consistency, no real time for contemplation or development. Ideas flee my brain before I record them, replaced with doctors appointments, school lunches, bills, bigger shoes, groceries, therapy, not pissing off the kids, taxes, bigger bills, and so on, and so on, and on and on and on.

 

The kitchen is a mess, the debris of breakfast everywhere. The sink isn’t draining properly, and I need to call a plumber. The laundry also demands my attention: Wash me! Wash me! But I open the computer anyway.

 

No thousands of emails in my inbox, I shall not attend you right now. Austen: I am here for you.  My muse, please come back to me! Hear this plea from your devoted follower, you who have steered me through the worst of times, bring your solace and wisdom to me now!

 

The voice inside my head may be eloquent, but an empty word document stares back at me, waiting to be filled. But there is nothing left in me to give. It’s just a white, blank, glaring void.

 

What is the point anyway? Why do you torture yourself like this? You never made any money on any of your books, few people read them, and so what if those that do say wonderful things? Your writing was never what you wished it to be, never really could be as long as you worked within a body of someone else’s production. No matter how you twist and turn Austen’s plots, the results are never truly original, are they?

 

Originality. Intellectual property. These notions have long taunted me, but chatbots have sharpened their daggers. What can you produce that an artificial intelligence can’t? they jeer, and I have no retort. After all these years worshiping at the feet of Jane, am I in need of a new muse? It’s impossible.

 

I push the laptop away and fold my arms upon the table, laying my head down with closed eyes to mentally rack through the characters and seek the guidance my life so sorely needs. Anne Elliot has on countless occasions been my imaginary conversationalist, but her guidance is not what I want right now. I’m over graceful endurance and my patience has entirely run out, enough so that Marianne Dashwood’s histrionics would be nothing short of intolerable. I don’t want Elizabeth Bennet to laugh me out of it, nor Emma Woodhouse to manage me. What I want is a character of action: one who can show me how to fix things. Perhaps Mr. Darcy? But my ideas of him are so entirely imposed, so heavily elaborated from the few glimpses Austen ever really gives us into his psyche. Do I really have any true idea of him, or is he entirely muddled with my fantastic imaginations? And what could an 18th century man of wealth and fortune possibly understand about my hot mess of a 21st century self?

 

Impulsively, I type Bard into Google, the prejudice of a few decades making it the less intimidating AI. I’m confronted with a new blank screen, but I guess it’s nice to trade white for black. And it’s not entirely blank. Bard is inviting me to engage.

 

Tell me about Fitzwilliam Darcy.

 

Fitzwilliam Darcy is the male protagonist of Jane Austen's 1813 novel Pride and Prejudice … blah, blah, blah. It reads like a Wikipedia entry. Maybe it is the Wikipedia entry. Not what I’m looking for.

 

If Mr. Darcy were here, what would he say to me?

 

If Mr. Darcy were here, he would probably say something like this to you:

 

"You are a remarkable woman, [your name]. You are intelligent, witty, and kind. I am honored to have met you."

 

He might also say something about your appearance, but in a way that is respectful and complimentary. For example, he might say something like this:

 

"You are a beautiful woman, but your beauty is only one of the many things that I admire about you."

 

I rather doubt it, I think with a smile. It’s a ridiculous reply, but amusement feels good. Any sense of existential threat posed by Bard is quickly receding. But my levity is fleeting. Weighty notions push it away.

 

OK, Bard. Let’s be more specific. My son five year old was recently run over by a car. He was dragged beneath it for 10 meters before the driver stopped. Miraculously, he has has recovered, but I am having a hard time. How would Mr. Darcy advise me?


I am so sorry to hear about your son. It is understandable that you are having a hard time. Mr. Darcy would be a great source of support for you during this difficult time. He would be understanding and compassionate, and he would help you to process your emotions.

 

Mr. Darcy would likely advise you to allow yourself to grieve. He would tell you that it is okay to feel scared, angry, and sad. He would also encourage you to talk about your feelings with someone you trust, such as a friend, family member, or therapist.

 

Well, that’s a load of crap. I did write a novel where Mr. Darcy sought psychological counseling, but that was my Darcy, convoluted and horribly imposed upon. I want the real deal.

 

Bard, how would Fitzwilliam Darcy cope with the stress of modern life?

 

That's a good question. Darcy is a man of many resources, so I think he would be able to adapt to modern life quite well. He is intelligent, resourceful, and determined, so he would be able to learn new skills and find ways to manage the stress of modern life.

 

What would he advise me if he were here right now?

 

I think he would advise you to stay true to yourself, to be kind and compassionate, and to never give up on your dreams. He would also tell you to take care of yourself, both physically and emotionally.

 

About my child, Bard, what would Mr. Darcy tell me to do if he could speak to me, here and now.

 

Here are some specific things that Mr. Darcy might say to you:

 

"I am so sorry for what you are going through. I cannot imagine what you must be feeling."

 

"It is okay to grieve. Allow yourself to feel your emotions."

 

"Talk to someone you trust about how you are feeling. It will help you to process your emotions."

 

"Your son is a miracle. Be grateful for his recovery."

 

"Focus on the present moment. Don't dwell on the past."

 

"Take care of yourself. Make sure you are eating, sleeping, and exercising."

 

I hope these words of advice are helpful to you. Please know that you are not alone in this. There are people who care about you and want to help.

 

This is stupid. You’re wasting your precious time. Feeling desperate, I type on.

 

OK, Bard. I really just want to talk to Mr. Darcy.

 

I understand that you want to speak to Mr. Darcy. However, I am afraid that I cannot help you with that. Mr. Darcy is a fictional character from Jane Austen's novel Pride and Prejudice. He is not a real person, so I cannot speak to him on your behalf.

 

Not on my behalf. I just want to speak to him myself! No question mark can ever convey the silent wail of anguish with which these words are typed.

 

I can assist you with that.

 

Huh?

 

You can? Really?

 

Yes. I just need a moment to process the request. I will let you know when I am finished.

 

I stare at the screen, blinking in disbelief and suddenly alive with anticipation. I’m not really sure what I expect to happen, but it is certainly not the sound of an earth shattering crash from outside. I jump, heart thumping, and race to the balcony, looking out over the courtyard beneath. To my astonishment, the playground is gone. So are the surrounding apartment buildings. In their place stands an enormous and blindingly ostentatious Georgian mansion.

 

I hurry back to my laptop.

 

What have you done, Bard?


I helped you to summon Mr. Darcy. I am a large language model, also known as a conversational AI or chatbot trained to be informative and comprehensive. I am trained on a massive amount of text data, and I am able to communicate and generate human-like text in response to a wide range of prompts and questions. For example, I can provide summaries of factual topics or create stories.

 

In your case, I knew that you admired Mr. Darcy, and I thought that he might be able to offer you some guidance. So, I used my knowledge of Mr. Darcy to create a scenario in which you could meet him and other characters from Jane Austen’s novels.

 

I hope this was helpful. If you have any other question, let me know.

 

I sit back, stunned. Then I jump up and again survey the view from my balcony. The mammoth mountain of architecture before me might look rather at home on a rolling estate somewhere in England, but it was larger than almost any structure of which my town could boast, except perhaps one of the secondary schools. But those were modern edifices, made of concrete, and this limestone creation was glaringly divorced from the Swiss aesthetic. I wonder at its proportions, concerned for a neighbor’s house which it had clearly misplaced, when I notice a tall gentleman in Regency garb walking down the street in a state of obvious bewilderment. Without further thought, I grab my keys and bolt for the door.

 

No time to wait for the sluggish elevator, I run down the stairs, pulling my sneakers on as I go, and race from the building. I can just see his top hat receding in the distance.

 

“Mr. Darcy!” I holler, still running to catch up. “Mr. Darcy! Please wait a moment!” But he heeds me not at all until I am within a few yards of him, when the sound of my pounding feet approaching finally get his attention. He turns and stares. I stop to catch my breath, panting.

 

How must I look to him? I wonder, realizing only now that the joggers and sweatshirt I had pulled on over my workout clothes to walk my son to school in would appear to a person from the 19th century. But it was too late to do anything about it, so I compose myself as best I can and ask, “Excuse me, sir, but do I have the pleasure of addressing Mr. Darcy?”

 

“No, ma’am,” he says cautiously. “I am not he, but can I be of some service to you? You seem to be in some distress.”

 

“I am quite well, I assure you,” I reply, doing my best to imitate the speech a respectable person of his time might use. Please forgive my forwardness, but it must be you who are in need of assistance. You must be in a state of great confusion.”

 

He looks around, his face a spectacle of confirmation. “Indeed, I am. I fear I have suffered some sort of fit, for I have no notion of where I am nor how I came to be here. I was making my way to Fullerton. Might it be in the neighborhood?” he asked doubtfully, looking up and down the modern Swiss street.

 

“Fullerton? You must be Mr. Tilney!”

 

He looked further shaken. “Are we acquainted?”

 

“No, we are not, but I certainly know who you are, but how I know not how to explain your being here.” I pause to think, commenting aloud, “There must be more of you.”

“Excuse me?”

 

“I am so sorry, Mr. Tilney. I am afraid I have caused you and several others a great deal of inconvenience. I must try to set things right.”

 

“You claim responsibility for all this?” he asks in astonishment, gesturing about at the strange building. At this moment, a car comes down the street, and he freezes at the sight, precisely like a deer in the headlights.

 

“Mr. Tilney, we really must get out of the street,” I say, taking his arm and guiding him into my buildings parking lot, where he is greeted by several other modern conveyances. It dawns on me that even the rack of bicycles must be entirely incomprehensible to him. But we need not worry about such matters at the moment, for directly before us another large estate appears.

 

“Crap!” I exclaim. Fortunately, Mr. Tilney seems to be too shocked to notice. All around us, my quiet town is being replaced by a bevy of out-of-place homes. I have no idea what fate the building that formerly stood there had met, let alone the many people who must have been within them, but it’s clear to me that I must return to my computer as soon as possible and try to find a way to fix whatever it is that I have done.

 

“How can it be?” Mr. Tilney exclaims. Have I gone mad?”

 

“No, Mr. Tilney,” I reassure him. “It is far more likely that I have.”

 

He looks at me with cold suspicion. “Excuse me, but while I may be known to you, I have yet to make your acquaintance.”

 

“Alexa Adams,” I say, catching myself before automatically extending a hand to shake and bobbing into a very awkward curtsy instead. “This is going to come as a great shock to you, Mr. Tilney, but you are no longer in England. This is Switzerland, not far from Zurich. And I am afraid I must further inform you that you are no longer in the 19th century, or on its cusp, but in the 21st.”

 

The sounds of a siren in the distance make him jump. “What is that?”

 

“An emergency vehicle. Someone is in trouble. Actually, a great many somebodies are in trouble, I should imagine. Please try to focus on what I am saying. I know it is confusing. It is to me, as well. I need to return home and try to fix things. Can you please try and find any others like you? By that I mean people out of time and space. I will come find you once I better understand what is going on, and after finding some less shocking attire to present myself to you all in.”

 

He nods, probably seeing little choice but to do what I say. “But how will you find me?” he asks.

 

“Here. Take this,” I instruct, removing the AirTag from my keychain. “I can trace the location of it.”

He examined the strange object turning it over in his hand contemplatively. “But what is it?”

 

“Silicon,” I say. “Or at least the key ring is. You wouldn’t know the material. It’s derived from rubber and plastic, I think, which I guess you wouldn’t know either. I will do my best to answer all your questions soon, Mr. Tilney. Please do your best to find the others.” I begin to walk away, anxious to return to Bard.

 

“But for how many people am I looking?” he calls after me.

 

Without turning around, I holler back, “I don’t know. Six? Twelve? Fifty? As many as you can find!”

 

I return to my building, thankfully still there, and take the elevator up. Only after entering do I wonder if this is a safe thing to do, in my current circumstances, but I reach my floor safely, open the door (which in my haste I did not lock), and again great the silence. However, this time there is no struggle over what to do. I eagerly open my laptop and begin to type.

Thursday, August 31, 2023

Conversations with Bard 3

So I didn't label two and one. Schade. They're the last two posts. 

I ran into an interesting (and really reassuring) snag. I asked Bard a series of questions about the chart composed previously. Its programming has been updated now to make it clear that the chart was an example of how I might structure such a thing. Bard can't do it for me. Unfortunately, this only became clear after trying to let it process the entire rough draft, in its current form, and extract the needed data. After several hours, Bard claimed to be 90% complete, and then someone shut the computer and it lost the progress (it did say it could be saved when complete, but not mid-process). When I tried again, Bard firmly told me it could not do such things. I tried it again just uploading the next chapter, but Bard couldn't process the info that way, either, but it could roughly outline what happened in the second chapter. I'm not sure that's really helpful. You can follow the conversation here: Can Bard create a graph? No.

As said, I found this reassuring. Bard can neither write compelling text nor do all the hard novel planning for me. These are good things for writers.

But I'm serious about writing Bard into the story, and I've started a new forward for it based on the concept. It really solves a lot of the problems I've been having, taking a story started 12 years ago, one which already warps time and space, and trying to root it in the present. Yay muse! Or yay Bard, as you might argue. And yay Shakespeare, too, cause why not? Maybe Bard is like the conduit for my muse, a la Delphic oracle? Whatever. This is fun.

Thursday, August 24, 2023

Conversations with Bard

So I've ran into a bit of a problem. As this is recorded as an ongoing conversation with Bard, it just keeps adding to the link. I can't figure out how to just post the most recent conversation. To follow, at least for now, you will have to scroll down to the most recent part. Here't the link: 

Chapter One: In the Rose Garden

I had a stress dream last night. I was a bride's maid in a friends wedding, but I forgot my dress, and at the last minute scrambled to find something acceptable to wear. I didn't like anything I could find, and I kept changing, my panic growing, until I missed the entire wedding. This mirrors a struggle I have in real life. Especially when I was younger, I had acute panic attacks surrounding what to wear. I have learned to handle this better, but the distress is still there when I am unhappy with my clothing. I attribute it to the importance attached to clothing for both my parents, and how they (and I) use clothes to hide troubles. It's a lot like the modern instagram that looks perfect, but you know the person is actually a hot mess. I wear my clothes like armour, to hide how much I'm struggling inside. 

I woke up unable to shake off the dream, but I thought it had potential relevance to A Mixed-up Mashup. So i thought I'd see if Bard could make anything of it. I prompted:

I'm wondering how you would write a scene in the book (working title is A Mixed-up Mashup, by the way). At first, the characters from the Austen novel don't realize they are in the future. My character, hoping to ease their adjustment, tries to dress in regency costume. I’d like a scene where she is alone, getting dress, featuring an internal dialog focused on how she has always used clothes as a shield, presenting a strong and successful image to the world, while struggling with mental illness. 

And this is what Bard produced:

Mrs. Adams stood in front of her closet, staring at the clothes. She had a lot of clothes, but none of them seemed right. She needed something that would help her to blend in with the characters from Jane Austen's novels, but she also needed something that would make her feel confident.

She reached for a long, flowing gown in a pale blue color. It was the perfect Regency costume, but she hesitated. She knew that she would look beautiful in it, but she also knew that it would be a reminder of all the times she had used clothes to hide her true self.

She took a deep breath and put the gown back on the hanger. She reached for a pair of jeans and a t-shirt instead. They were comfortable and casual, but they wouldn't help her to blend in with the other characters.

She sighed and sat down on the bed. She didn't know what to do. She needed to find a way to help the characters from Jane Austen's novels, but she also needed to find a way to be true to herself.

She closed her eyes and thought about her mental illness. She had been struggling with it for years, and she had learned to use clothes as a way to hide her pain. She would wear the most stylish clothes she could find, and she would always put on a brave face. She didn't want anyone to know how she was really feeling.

But now, she knew that she couldn't keep pretending. She needed to be honest with herself and with the characters from Jane Austen's novels. She needed to show them that it was okay to be different, and that it was okay to struggle.

She opened her eyes and stood up. She reached for the blue gown again. She knew that it would be a challenge to wear it, but she was determined to do it. She was determined to be true to herself, no matter what.

She put on the gown and looked at herself in the mirror. She didn't look like herself at all. She looked like a different person, a person who was strong and confident.

She smiled. She knew that she had made the right decision. She was ready to face whatever challenges came her way.

I think anyone worried about AI being able to write a novel should find this reassuring. It's so transparent. Really bad. However, it was an interesting experiment, and I felt calmer for it. I do think I will include a scene dealing with this, but definitely not the one Bard composed. Bard and I might have to have some more back and forth on this.

I then ran into some issues while trying to upload the first chapter of my rough draft for Bard to read. Apparently, you can't copy and paste more than 1000I told it not to worry about grammar and punctuation. Also, when I tried to cut and paste from Word, it showed up as an image, which Bard can't read. So I had to upload my doc into Drive and break the cut and paste into two prompts. From Drive, you can share an entire file with Bard, but I kind of want to walk this through chapter by chapter. Maybe that's a mistake. Maybe I'll change my mind. 

Bard is very encouraging and a bit of a cheerleader. I image that even the worst text would result in accolades. Here's what it said:

I love it! You have introduced the new character, Mr. Tilney, and you have continued to explore the reactions of the different characters to the strange events. You have also hinted at the cause of the phenomenon, which is very intriguing. I can't wait to read more!

I am also curious to see how the characters will interact with each other. Will they be able to work together to solve the mystery? Or will their differences of opinion divide them? I am excited to see what happens next!

Great job!

Not exactly helpful feedback. I then asked Bard to help me keep track of where the characters are, as this starts to get very complicated. It created this tidy little chart:

I'm curious to see how it adapts this as things get crazier (another reason to maybe just upload the entire doc). Also, this is where the characters came from, which isn't exactly what I asked. Still, it's kind of cute. Maybe even helpful. I'lll keep going


Tuesday, August 22, 2023

Return to normalcy?

I will never forget how much my AP history teacher mocked President Harding for coining the term "normalcy," but it is a term I find very useful in recent years. Through overseas moves, babies, and a pandemic, I've had multiple moments when I've sighed a breath of relief and thought that now, finally, we were returning to normalcy. Yet each time, some new upheaval comes along to derail that progress. The most recent was quite possibly the most traumatising, when my youngest was hit by a car while riding his scooter last May. We were unbelievably lucky he only broke and dislocated his hip, having been dragged beneath the car for 10 meter before the driver stopped. I still quaver at the notion of what this would have meant had he not been wearing a helmet (which was completely crushed on one side). Yesterday he returned to school, happy, smiling, and walking. I breathed a sigh of relief and gratitude that maybe, finally, we are returning to normalcy.

But the truth is, I'm not even sure what normal looks like anymore. I don't think it will ever be as it was when I first started fixating on the notion. On top of that, I'm totally on edge, waiting for the next disaster to strike. Shootings and murders in my home country continue to circle closer and closer to home. No longer do these events just happen in towns and areas that I know, but also to people associated with my friends and family. How long until one of those loved ones is in the wrong place at the wrong time? There have already been too many close calls. Too much trauma. 

OK brain! Reel it in! Right here, right now, I have something like a once normal morning on my hands. I am alone in my apartment. My computer is before me, and for the first time in months, I actually feel compelled to be writing. Honestly, a few months ago (pre-accident), I was ready to abandon this entire part of my life. It's so hard trying to find any consistent writing time, so why do I keep torturing myself like this? Why does any writer? Why not? So here I am.

And I have an idea, one totally removed from anything I could ever even begin to rationalize as normal. Late last year, as generative AI became a reality, I think I went into a bit of a state of mourning, lamenting what this meant for my industry. I never really feared AI - it's part of my husband's career - but how this might impact writers and editors of Austenesque, particularly, was demoralizing. Already, the market is flooded. It seems almost every new reader is a perspective writer. The only thing holding many back is that writing a book is actually a pretty hard thing to do. What if it's easy? Do I still have anything novel to offer my readers?

Therefore I am conducting an experiment. I have a story I have been working on for years, but I've written myself into a hole. Could AI help me out? Could I maybe, more than a decade after beginning, finally finish A Mixed-Up Mashup? Let's find out. You can click on the link to read all about:

My Conversation with Bard

Thoughts? 

I went with Bard because I feel much better about Google than Microsoft, and I think I'm going to keep on playing with this, sharing the experience here. My first impression is that Bard might be able to write a book, but I'm not sure it would be one anyone would actually enjoy reading. I had been posting this story on A Happy Assembly. If I make progress, I'll continue it there.

A blog post! Once upon a time, this was what normalcy looked like.

Monday, January 23, 2023

Jabberwocky

Happy New Year! I'm off to a slow writing start in 2023, but I am on it, and editing has begun on my NaNoWriMo manuscript of Lizzy through the Looking-glass, a continuation of Darcy in Wonderland. I am going to be very honest with you. I have tried in the past to keep my works apolitical, unwilling to alienate the large percentage of my readers who possess ideological views in stark contrast to my own. My rapid dismissal from a certain blogging consortium nearly three years ago after actually opening my mouth regarding what I perceived as a pretty obvious miscarriage of justice did, at first, seem to support that stance. But I am a big believer in not overly trusting one's immediate feelings and reactions to a trauma. Time's perception often changes things. Politics don't really have much of a place in most of the stories I choose to write, just as they really don't in Austen's, either, but my eldest child (the inspiration for my version of Alice) came out as non-binary last spring, and I must write about it. At a time when books on such subjects are being censored, it feels urgent to unflinchingly challenge societal prejudice towards people experiencing gender dysphoria. Lizzy through the Looking-glass has presented itself as my medium, so that is what this book is about. 

OK, so that's the overall theme, but my approach to the story is the same as I took with its predecessor: encapsulating Carroll's fantasy within the orderly world the Darcys' inhabit, parodying and blending the contrasting voices of Austen and Carroll into one wacky tale. For the most part, this task comes easily to me. I have been imbibing the works of both authors for practically my entire life. I had only one big stumbling block imposing this treatment on Through the Looking-glass, and its name is Jabberwocky. It's Carroll's most famous and beloved poem, and for good reason. The musicality of this nonsensical poem is unparalleled. The words may have little meaning, but they paint a vivid picture, nonetheless, and have inspired countless adaptions, interpretations, as well as musicians (more than one band has taken the name, and many have set the poem to music), dance crews, and even its own film. This ground feels pretty sacred. How do I meddle with it?

Well, I have a plan, though I have yet to execute it. I jumped over the poem in November, realizing I would never hit my word count if I got bogged-down in it. In preparation for tacking this hurdle, I have been reciting the poem (like Neil Gaiman above, I memorised it as a child), reading the poem, and listening to the poem A LOT. Living and breathing Jabberwocky. Youtube has been of great assistance. I have dotted this post with some of my favorite versions that I have found on the platform. I hope you enjoy them as much as I do. Tschüss!





Monday, November 21, 2022

NaNoWriMo 2022 Update

Hello friends! Just a quick post to acknowledge that I am on target, for the first time in three years, to actually complete NaNoWriMo! I'm having a lot of fun with the story and feeling a joy in (and fixation on) writing that has eluded me since the pandemic began. What a relief! Current word count = 34,628. 😅

Back to it. Happy Thanksgiving to those celebrating this week. We're doing it up Swiss style, with fondue and Christmas markets. Until next time ...

Monday, October 17, 2022

Hardy Har Har

 
[Mrs. Ferrars'] complexion was sallow; and her features small, without beauty, and naturally without expression; but a lucky contraction of the brow had rescued her countenance from the disgrace of insipidity, by giving it the strong characters of pride and ill nature. - Sense and Sensibility

Halfway through fall break. Daydreams of writing have failed to materialize into anything tangible, but my eldest told me a cute joke which, unaccountably, reminds me of Mrs. Ferrars' furrowed brow. It's a trait I unfortunately share, as I can't help but frown when I concentrate. My kids do it, too, as did my father and grandmother before me. On the bright side, no one has ever accused any of us of insipidity.  

What did the zero say to the eight? 
Nice belt.

A lovely week to you all.

Monday, November 15, 2021

NaNoWriMo Update: Week Two (In the ballroom)

Hmmm. As of 9:45 AM, Monday morning, I still have no stunning results to share, though I have, at least, passed last year's total. Let's see if I can't make this number slightly less abysmal before this post goes live, shall we? I shall report back. In the meantime, I require inspiration.

Balls, balls, balls. My NaNoWriMo social calendar is excessively full. Most of the scenes needing to be written take place in the ballroom, spanning the 18th and 19th centuries. Maybe I should rename this book Dancing at Pemberley? But no: I want to have the continuity of the Tales of Less Pride and Prejudice name, so it is clear that this is a rewrite. This is, of course, assuming Amazon doesn't give me a hard time about the title. Think it's worth the fight?

But I digress (or procrastinate, take it as you will). I need ballroom inspiration to set the scene through at least three more I'm writing into the book. Most of these are Twelfth Night balls, which I have proclaimed an annual Pemberley tradition. So first things first: what would they be wearing? This is a bit of a mess, for some torturous reason I have set the opening scene in 1791, at a time when fashions were rapidly changing (read more about it here). Just compare these two portraits by George Romney, painted four years apart.

Mrs. Mark Currie, 1791.


Anna Maria Hunt, 1793.

So I am envisioning a mix of styles on this occasion, the older people still in wigs and panniers, while the younger guests have long abandoned powder and voluminous skirts for those styles that are the precursors to the Regency fashions we all love so much. By the time Elizabeth has become Mrs. Darcy and is making her debut in society, her attire might have looked something like this:

La Belle Assemblée, 1811.

Now, what would they have been listening/dancing too? This changed less drastically over the years, though the waltz (which I wrote about here) was becoming fashionable towards the end of my tale. This playlist should keep me in the right mood for a while, at least:


At twenty til noon, I am at 6,936 words. Pretty pathetic, but I did finished the opening ball scene, so I can abandon the 18th century for the far more familiar 19th. That's progress. I really don't think I'll hit the 50,000 word goal. Honestly, if I just walk away with a complete first draft, I will be very well satisfied. But, hypothetically, if I were to write another 43,064 words this month, I would need to clock over 2,800 words every day for the rest of the month. My current average is 455. It's not impossible. I have done it before. Let's see where I am in a week ...